Mark Danner examines “frozen scandal“:
Scandal is our growth industry. Revelation of wrongdoing leads not to definitive investigation, punishment, and expiation but to more scandal. Permanent scandal. Frozen scandal. The weapons of mass destruction that turned out not to exist. The torture of detainees who remain forever detained. The firing of prosecutors which is forever investigated. These and other frozen scandals metastasize, ramify, self-replicate, clogging the cable news shows and the blogosphere and the bookstores. The titillating story that never ends, the pundit gabfest that never ceases, the gift that never stops giving: what is indestructible, irresolvable, unexpiatable is too valuable not to be made into a source of profit. Scandal, unpurged and unresolved, transcends political reality to become commercial fact.
… Journalists as the self-abnegating seekers after truth, defenders of society’s conscience: had this happy description ever been true, even during Watergate, it now bears little resemblance to the scandal-mongering world of cable news shows and gabfests, for which scandal, the gaudier the better, provides the vast and complicated narratives that are the lifeblood of the twenty-four-hour news cycles. As the first Persian Gulf War begot CNN so did Monica Lewinsky’s pouty lips beget Fox News.
Scandals, the more complicated and richer the plotlines the better, have above all to endure. Scandals provide the fodder for on-air confrontation, the verbal slash and parry—which is what television, a terrible medium for conveying information of any complexity, does best, and does most cheaply. Scandals provide subplots and minor characters and spin-offs. They offer, to the post-Watergate, high-profile, well-coiffed, colleague-of-the-powerful journalist hero of today—could anything be further from the deeply irreverent working stiff cracking wise in Howard Hawks’s His Girl Friday (1940)?—the true venue for the highest practice of his art, the television studio.
That art relies on, or anyway thrives on, scandal. Scandal denotes success. Scandal shows he is doing his job. Scandal means pay dirt. And scandal represents that media-age dream, the perpetual story. Scandal can be rehashed, debated, photographed, from initial leak, to perp walk, to hearing, to trial, to appeal. Scandal offers an endless stream of what the business is after all supposed to be about: news. As in: what is new. Scandal brings the heart-pumping, breath-gulping surge of stop-the-presses excitement, letting us know that into our fallen world the Gods of Great Events have finally come down from on high to intervene. Scandal represents movement, the audible cracking of the ice. And yet it is all an illusion, for beneath the rapidly moving train of gaudily hyped “breaking news,” beneath all the grave and breathless stand-ups before the inevitable pillars of public buildings, beneath the swirling, gyrating phantasmagoria of scandal lies a kind of dystopian stasis. Everything changes and nothing does.
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Sadly, so very true. But this phenomenon is certainly not confined to the mainstream news outlets — newspapers, network news organizations or the cable news networks. Blogging has facilitated and exacerbated this scandal industry to virtually epic proportions. (The Obama citizenship “scandal” is just the latest example.)